SELECT PRESS:

"His music has a loose, aggresive edge, but in his quiter moments, Sweany recalls the supple beauty of Ry Cooder's 70s readings of Depression-era pop blues." - MOJO (UK) "New Blues Explosion!"

"For those who love the Blues but are bored with the tight-assed "white guys in blazers" style and prefer something more adventurous, Sweany is a slam-dunk. The new album is a start-to-finish thrill, partly due to the singer/songwriter/guitarist's lack of "stick to the script" Blues theory. Sweany dips into the more folksy side of Blues, slinky R&B, early Rock & Roll, '70s Blues Rock and dirty Garage Blues. That's not to say that Sweany is for White Stripes fans only; the man has mad-crazy skills in whatever style he's exploring and redecorating, something even the staunchest "back in my day" curmudgeon is sure to appreciate if they give it an open-minded listen."
- Mike Breen, Cincinnati CityBeat

"A few years ago at the Blues & Heritage Festival in Wheeling, WV, I heard Patrick Sweany getting down. I wasn't surprised at the power and proficiency in his blues, because I'd heard him before...one of his original songs devastated me, because I've sure enough lived it. I wished I'd written it. He sat in with me and Pintop Perkins at our concert there, and I knew I had to introduce him to you."
- Steady Rollin' Bob Margolin, Blues Revue

"Sweany is rawer and earthier than ever. (The) new album is his best work yet. "
- North Bay Bohemian

"Sweany sings with one of those genre-defying, deeply soulful voices that Dan Penn used to turn into gold. "
- Arkansas Times

"More kids are alright thanks to Patrick Sweany. Who better than Sweany to impart lessons learned through Eddie Hinton, John Lee Hooker and Ray Charles — role models who inspired his own path of righteous guitar licks and rich, classy vocals. With textured inflection, he comes across as both tough and romantic; hopeless and rock-solid."
- Salt Lake City Weekly

"Echoes of Sam Cooke and Marv Johnson...bind this record together and capture the Rust Belt rocker’s soulful drawl. (Sweany's) strongest album to date."
- Pop Matters

"Every Hour is a Dollar Gone takes impeccably-crafted Americana with a woozy, garage rock mindset and piles on layers of gritty, grimy Midwest rawk from the 70s. The results are sweaty and honest -- one foot's still in those rootsy blues -- delivered with impeccable panache and unique, transgenerational appeal. It's new and entirely lo-fi, yet so remarkably familiar it will throw off your chronological gauges..."
- Cool Cleveland Magazine

"To say Patrick Sweany is just a Blues musician is like saying Coke is just a soft drink. A Sweany set can veer from soulful, slow burn, John Lee Hooker-style blues to swampy, delta-country pickin' to white-hot rockabilly...Sweany has arrived as a major talent."
- Cleveland Scene Best of Cleveland Award (2006)

"Patrick is a true original in what, at times, seems like a sea of imitators."
- Pittsburgh Rock Press

"(Sweany)'s having fun with one of America’s oldest musical forms, the blues, by casting it in a contemporary light while pulling it all up by its deep, dark roots. C'mon C'mere is outstanding."
- Buck Quigley, Buffalo Artvoice